<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://msstate-exhibits.libraryhost.com/items/show/3121">
    <dcterms:title><![CDATA[Already]]></dcterms:title>
    <dcterms:subject><![CDATA[Displacement]]></dcterms:subject>
    <dcterms:description><![CDATA[An immersive installation exploring impermanence through light-sensitive film and greenhouse structures, reflecting on themes of migration and transience.]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Kang%2C+Lotus">Kang, Lotus</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=52+Walker+Gallery%2C+New+York+%26+https%3A%2F%2Fwww.vogue.com%2Farticle%2Fspring-2025-under-the-radar-art-preview">52 Walker Gallery, New York &amp; https://www.vogue.com/article/spring-2025-under-the-radar-art-preview</a>]]></dcterms:publisher>
    <dcterms:date><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=circa+2025">circa 2025</a>]]></dcterms:date>
    <dcterms:rights><![CDATA[This image is used under the principles of fair use for educational and non-commercial purposes (Section 107, U.S. Copyright Law). The work Already by Lotus Kang is the subject of academic discussion and critique within this assignment, and the image is presented at a size no larger than necessary for this purpose.]]></dcterms:rights>
    <dcterms:format><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=42&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Photograph">Photograph</a>]]></dcterms:format>
    <dcterms:extent><![CDATA[Varies via each installation]]></dcterms:extent>
    <dcterms:medium><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=79&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=image%2Fjpeg">image/jpeg</a>]]></dcterms:medium>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:identifier><![CDATA[Screenshot 2025-05-04 221106]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://msstate-exhibits.libraryhost.com/items/show/3120">
    <dcterms:title><![CDATA[La Mer Morte (The Dead Sea)]]></dcterms:title>
    <dcterms:subject><![CDATA[Sea, Displacement]]></dcterms:subject>
    <dcterms:description><![CDATA[An installation using blue clothing to represent the sea and the lives lost during migrant crossings.]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Attia%2C+Kader+">Attia, Kader </a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=https%3A%2F%2Fejam.squarespace.com%2Fcompendium%2F2022%2F2%2F27%2Fla-mer-morte-the-dead-sea">https://ejam.squarespace.com/compendium/2022/2/27/la-mer-morte-the-dead-sea</a>]]></dcterms:publisher>
    <dcterms:date><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=circa+2015">circa 2015</a>]]></dcterms:date>
    <dcterms:rights><![CDATA[This image is used under the principles of fair use for educational and non-commercial purposes (Section 107, U.S. Copyright Law). The work La Mer Morte (The Dead Sea) by Kader Attia is the subject of academic discussion and critique within this assignment, and the image is presented at a size no larger than necessary for this purpose.]]></dcterms:rights>
    <dcterms:format><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=42&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Photograph">Photograph</a>]]></dcterms:format>
    <dcterms:extent><![CDATA[N/A]]></dcterms:extent>
    <dcterms:medium><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=79&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=image%2Fjpeg">image/jpeg</a>]]></dcterms:medium>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:identifier><![CDATA[Screenshot 2025-05-04 220251]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://msstate-exhibits.libraryhost.com/items/show/3119">
    <dcterms:title><![CDATA[Aluna]]></dcterms:title>
    <dcterms:subject><![CDATA[Kogi, Folklore, Collage]]></dcterms:subject>
    <dcterms:description><![CDATA[A large-scale collage reflecting on cross-cultural connections and global migration, inspired by Colombian folklore and the Kogi people&#039;s concept of aluna (spiritual consciousness).]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Berr%C3%ADo%2C+Mar%C3%ADa">Berrío, María</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=https%3A%2F%2Floveartexhibitions.wordpress.com%2F2019%2F11%2F28%2Faluna-maria-berrio%2F">https://loveartexhibitions.wordpress.com/2019/11/28/aluna-maria-berrio/</a>]]></dcterms:publisher>
    <dcterms:date><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=circa+2017">circa 2017</a>]]></dcterms:date>
    <dcterms:rights><![CDATA[This image is used under the principles of fair use for educational and non-commercial purposes (Section 107, U.S. Copyright Law). The work Aluna by María Berrío is the subject of academic discussion and critique within this assignment, and the image is presented at a size no larger than necessary for this purpose.]]></dcterms:rights>
    <dcterms:format><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=42&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Photograph">Photograph</a>]]></dcterms:format>
    <dcterms:extent><![CDATA[N/A]]></dcterms:extent>
    <dcterms:medium><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=79&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=image%2Fjpeg">image/jpeg</a>]]></dcterms:medium>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:identifier><![CDATA[Screenshot 2025-05-04 215755]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://msstate-exhibits.libraryhost.com/items/show/3118">
    <dcterms:title><![CDATA[The Crossing]]></dcterms:title>
    <dcterms:subject><![CDATA[Refugee, Film]]></dcterms:subject>
    <dcterms:description><![CDATA[A video installation depicting Syrian refugees at a casino roulette table, symbolizing the risks taken by migrants.]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Attie%2C+Shimon">Attie, Shimon</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=MMoCA+Website">MMoCA Website</a>]]></dcterms:publisher>
    <dcterms:date><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=03-20-2019+-+09-29-2019">03-20-2019 - 09-29-2019</a>]]></dcterms:date>
    <dcterms:rights><![CDATA[This image is used under the principles of fair use for educational and non-commercial purposes (Section 107, U.S. Copyright Law). The work The Crossing by Shimon Attie is the subject of academic discussion and critique within this assignment, and the image is presented at a size no larger than necessary for this purpose.]]></dcterms:rights>
    <dcterms:format><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=42&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Photograph">Photograph</a>]]></dcterms:format>
    <dcterms:extent><![CDATA[N/A]]></dcterms:extent>
    <dcterms:medium><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=79&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=image%2Fjpeg">image/jpeg</a>]]></dcterms:medium>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:identifier><![CDATA[Screenshot 2025-05-04 215233]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://msstate-exhibits.libraryhost.com/items/show/3117">
    <dcterms:title><![CDATA[Migration]]></dcterms:title>
    <dcterms:subject><![CDATA[Dance, Displacement]]></dcterms:subject>
    <dcterms:description><![CDATA[A photography and dance project exploring themes of displacement and restriction of movement, set in a disused London warehouse.]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Candanedo%2C+JC">Candanedo, JC</a>]]></dcterms:creator>
    <dcterms:date><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=circa+2019">circa 2019</a>]]></dcterms:date>
    <dcterms:rights><![CDATA[This image is used under the principles of fair use for educational and non-commercial purposes (Section 107, U.S. Copyright Law). The work Migration by JC Candanedo is the subject of academic discussion and critique within this assignment, and the image is presented at a size no larger than necessary for this purpose.]]></dcterms:rights>
    <dcterms:accessRights><![CDATA[JcCandanedo Website]]></dcterms:accessRights>
    <dcterms:format><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=42&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Photograph">Photograph</a>]]></dcterms:format>
    <dcterms:extent><![CDATA[N/A]]></dcterms:extent>
    <dcterms:medium><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=79&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=image%2Fjpeg">image/jpeg</a>]]></dcterms:medium>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:identifier><![CDATA[Screenshot 2025-05-04 214617]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://msstate-exhibits.libraryhost.com/items/show/3109">
    <dcterms:title><![CDATA[Migration Nation]]></dcterms:title>
    <dcterms:subject><![CDATA[Mural painting and decoration]]></dcterms:subject>
    <dcterms:description><![CDATA[A public art project featuring murals and photographs celebrating immigrant communities in Philadelphia.]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Walinsky%2C+Shira">Walinsky, Shira</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Mural+Arts+Philadelphia">Mural Arts Philadelphia</a>]]></dcterms:publisher>
    <dcterms:date><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=circa+2018">circa 2018</a>]]></dcterms:date>
    <dcterms:rights><![CDATA[This image is used under the principles of fair use for educational and non-commercial purposes (Section 107, U.S. Copyright Law). The work Migration Nation by Shira Walinsky is the subject of academic discussion and critique within this assignment, and the image is presented at a size no larger than necessary for this purpose.]]></dcterms:rights>
    <dcterms:format><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=42&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Photograph">Photograph</a>]]></dcterms:format>
    <dcterms:extent><![CDATA[N/A]]></dcterms:extent>
    <dcterms:medium><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=79&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=image%2Fjpeg">image/jpeg</a>]]></dcterms:medium>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:identifier><![CDATA[Screenshot 2025-05-04 210405]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://msstate-exhibits.libraryhost.com/items/show/3107">
    <dcterms:title><![CDATA[Exodus]]></dcterms:title>
    <dcterms:subject><![CDATA[Migration -- Displacement]]></dcterms:subject>
    <dcterms:description><![CDATA[A photographic series documenting mass migrations and refugee crises around the world, capturing human suffering and resilience.]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Salgado%2C+Sebasti%C3%A3o">Salgado, Sebastião</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Published+in+the+book+%22Exodus%22">Published in the book &quot;Exodus&quot;</a>]]></dcterms:publisher>
    <dcterms:date><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=circa+1993%E2%80%931999">circa 1993–1999</a>]]></dcterms:date>
    <dcterms:rights><![CDATA[This image is used under the principles of fair use for educational and non-commercial purposes (Section 107, U.S. Copyright Law). The work Exodus by Sebastião Salgado is the subject of academic discussion and critique within this assignment, and the image is presented at a size no larger than necessary for this purpose.]]></dcterms:rights>
    <dcterms:format><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=42&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Photograph">Photograph</a>]]></dcterms:format>
    <dcterms:extent><![CDATA[Varies by each photo]]></dcterms:extent>
    <dcterms:medium><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=79&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=image%2Fjpeg">image/jpeg</a>]]></dcterms:medium>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:identifier><![CDATA[Screenshot 2025-05-04 205755]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://msstate-exhibits.libraryhost.com/items/show/3104">
    <dcterms:title><![CDATA[Hope]]></dcterms:title>
    <dcterms:subject><![CDATA[Refuge (Humanitarian assistance)]]></dcterms:subject>
    <dcterms:description><![CDATA[A life-sized sculpture of a boat used by migrants, highlighting the perilous journeys undertaken in search of a better life.]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Abdessemed%2C+Adel">Abdessemed, Adel</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Exhibited+at+David+Zwirner+Gallery">Exhibited at David Zwirner Gallery</a>]]></dcterms:publisher>
    <dcterms:date><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=circa+2012">circa 2012</a>]]></dcterms:date>
    <dcterms:rights><![CDATA[This image is used under the principles of fair use for educational and non-commercial purposes (Section 107, U.S. Copyright Law). The work Hope by Adel Abdessemed is the subject of academic discussion and critique within this assignment, and the image is presented at a size no larger than necessary for this purpose.]]></dcterms:rights>
    <dcterms:format><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=42&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Photograph">Photograph</a>]]></dcterms:format>
    <dcterms:extent><![CDATA[205,7 x 579,1 x 243,8 cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=79&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=image%2Fjpeg">image/jpeg</a>]]></dcterms:medium>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:identifier><![CDATA[Screenshot 2025-05-04 205501]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://msstate-exhibits.libraryhost.com/items/show/3102">
    <dcterms:title><![CDATA[Migration in Four Parts]]></dcterms:title>
    <dcterms:subject><![CDATA[Migration, in art]]></dcterms:subject>
    <dcterms:description><![CDATA[A layered glass sculpture depicting anonymous figures and mythical beings, exploring themes of movement and transformation.]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Yellin%2C+Dustin">Yellin, Dustin</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Dustin+Yellin">Dustin Yellin</a>]]></dcterms:publisher>
    <dcterms:date><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=circa+2017">circa 2017</a>]]></dcterms:date>
    <dcterms:rights><![CDATA[This image is used under the principles of fair use for educational and non-commercial purposes (Section 107, U.S. Copyright Law). The work Migration in Four Parts by Dustin Yellin is the subject of academic discussion and critique within this assignment, and the image is presented at a size no larger than necessary for this purpose.]]></dcterms:rights>
    <dcterms:format><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=42&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Photograph">Photograph</a>]]></dcterms:format>
    <dcterms:extent><![CDATA[157.5 × 238.8 × 43.2 cm (62 × 94 × 17 in)]]></dcterms:extent>
    <dcterms:medium><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=79&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=image%2Fjpeg">image/jpeg</a>]]></dcterms:medium>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:identifier><![CDATA[Screenshot 2025-05-04 203546]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://msstate-exhibits.libraryhost.com/items/show/3099">
    <dcterms:title><![CDATA[A Ship Named &quot;Diaspora&quot;]]></dcterms:title>
    <dcterms:subject><![CDATA[Ship -- Dispora]]></dcterms:subject>
    <dcterms:description><![CDATA[A sculpture representing a ship filled with cartoonish passengers, highlighting the complexities of migration and identity.]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=McDonnell%2C+Mike+">McDonnell, Mike </a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Shetland+Museum+and+Archives">Shetland Museum and Archives</a>]]></dcterms:publisher>
    <dcterms:date><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=circa+2007">circa 2007</a>]]></dcterms:date>
    <dcterms:rights><![CDATA[This image is used under the principles of fair use for educational and non-commercial purposes (Section 107, U.S. Copyright Law). The work A Ship Named &#039;Diaspora&#039; by Mike McDonnell is the subject of academic discussion and critique within this assignment, and the image is presented at a size no larger than necessary for this purpose.]]></dcterms:rights>
    <dcterms:format><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=42&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Photograph">Photograph</a>]]></dcterms:format>
    <dcterms:extent><![CDATA[N/A]]></dcterms:extent>
    <dcterms:medium><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=79&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=image%2Fjpeg">image/jpeg</a>]]></dcterms:medium>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:identifier><![CDATA[Screenshot 2025-05-04 202307]]></dcterms:identifier>
</rdf:Description></rdf:RDF>
