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                    <text>Sweet Potatoes
The fifth step,
with a glass of water in my left hand,
the varies of dust made a form of message(s),
circling a whisper that came from the river.
I tried following the dust,
asking them if the river was close by,
but they laughed and disappeared,
silently, taking what I knew only to seem confused.
My knees became wobbly from the questioning,
to see the river,
I must know the rhythm of the message.
The tenth step,
left to the right,
I tripped on a pile of wondering,
covered with dirt,
my glass of water spilled.
With my face to the earth,
knowing that the drums are nearby,
A sweet scent appeared, touching my left nostril,
I remember this presence on a plate.
Discovering the path,
opening my eyes to be sitting at a table,
with an empty glass beside me,
my grandmother poured the cup with water, singing:
“River rum rum rum.”
Bio
Santos Starkey is a senior psychology major at Mississippi State University from California,
by way of Meridian, Mississippi. Starkey found his love for writing through the influence of
his Mother's collection of books and his family's encouragement to be creative as an
adolescent. He enjoys reading, taking nature adventures, and listening to and studying
music in his free time.

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&#13;
Sweet Potatoes&#13;
&#13;
The fifth step,&#13;
with a glass of water in my left hand,&#13;
the varies of dust made a form of message(s),&#13;
circling a whisper that came from the river.&#13;
&#13;
I tried following the dust,&#13;
asking them if the river was close by,&#13;
but they laughed and disappeared,&#13;
silently, taking what I knew only to seem confused.&#13;
&#13;
My knees became wobbly from the questioning,&#13;
to see the river,&#13;
I must know the rhythm of the message.&#13;
&#13;
The tenth step,&#13;
left to the right,&#13;
I tripped on a pile of wondering,&#13;
covered with dirt,&#13;
my glass of water spilled.&#13;
&#13;
With my face to the earth,&#13;
knowing that the drums are nearby,&#13;
A sweet scent appeared, touching my left nostril,&#13;
I remember this presence on a plate.&#13;
&#13;
Discovering the path,&#13;
opening my eyes to be sitting at a table,&#13;
with an empty glass beside me,&#13;
my grandmother poured the cup with water, singing:&#13;
“River rum rum rum.”&#13;
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                    <text>Mother Land
Kentucky is a strange Mother.
She is cold, gray, jagged with natural
rock walls the gods would envy. She is frigid,
blistering, all heat, all ice. She has skipping stone freckles
from her days under the smiling summer sun,
swimming in murky brown ponds and crystalline
creeks. She has hummingbirds in her broken soil palms
and dirt in her hair, on her face, under
her bare feet. There are ashen pits carved
into her fingers, where her nails of coal
were cut out of her loving body. She is plump
in the summer months, ripe with undulating curves
but is gaunt come winter, all wire smoldering
under sagging fabric flesh. She has pleated waves
of strawberry vine hair, ever-so-delicately kissed by the sun.
Her eyes are shards of stained glass
cemented together into a haphazard kaleidoscope
of greens and blues and browns. She is natural.
She is industrial. She is brazen and stoic
and a hippie and a hillbilly and a politician.
She is everything and nothing, the sun
around which we rotate and the lone asteroid
swirling in the rivers of ice found on the fringes
of our galaxy. She is loved and hated
and feared and celebrated. She birthed me
through her own children’s bodies, nourished me
with her honeysuckle kisses, and kept watch over me from
the unflowered tulip poplars. And one day, hopefully
far from now, I will repay my debt to her,
returning the body I loaned so she may birth her next child.
Bio
Haylee Morman is a sophomore English major from Richmond, Kentucky. She is also
pursuing a minor in TESOL (Teaching English to Speakers of Other Languages) and is one
recipient of Mississippi State University's Presidential scholarships. While her publishing
history is not extensive, she aspires to have an illustrious one soon enough.

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&#13;
Mother Land&#13;
&#13;
Kentucky is a strange Mother.&#13;
She is cold, gray, jagged with natural&#13;
rock walls the gods would envy. She is frigid,&#13;
blistering, all heat, all ice. She has skipping stone freckles&#13;
from her days under the smiling summer sun,&#13;
swimming in murky brown ponds and crystalline&#13;
creeks. She has hummingbirds in her broken soil palms&#13;
and dirt in her hair, on her face, under&#13;
her bare feet. There are ashen pits carved&#13;
into her fingers, where her nails of coal&#13;
were cut out of her loving body. She is plump&#13;
in the summer months, ripe with undulating curves&#13;
but is gaunt come winter, all wire smoldering&#13;
under sagging fabric flesh. She has pleated waves&#13;
of strawberry vine hair, ever-so-delicately kissed by the sun.&#13;
Her eyes are shards of stained glass&#13;
cemented together into a haphazard kaleidoscope&#13;
of greens and blues and browns. She is natural.&#13;
She is industrial. She is brazen and stoic&#13;
and a hippie and a hillbilly and a politician.&#13;
She is everything and nothing, the sun&#13;
around which we rotate and the lone asteroid&#13;
swirling in the rivers of ice found on the fringes&#13;
of our galaxy. She is loved and hated&#13;
and feared and celebrated. She birthed me&#13;
through her own children’s bodies, nourished me&#13;
with her honeysuckle kisses, and kept watch over me from&#13;
the unflowered tulip poplars. And one day, hopefully&#13;
far from now, I will repay my debt to her,&#13;
returning the body I loaned so she may birth her next child.&#13;
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                    <text>Crucifixion on the Atlantic

The year I turned fifteen,
The carpet of our house finally fell to my father’s foot.
Every night he stomped the floor in effervescent worship,
While his palms struck themselves and occasionally,
My sister’s cheeks when the hymn wasn’t draining her lungs
Of every sound her tiny vocal tracts could produce,
To praise the man our ancestors were told
Died and lived that we may be free
From our devil, black devil, dark-skinned devil—
Soon the devils were fettered to the boats
That had brought the messengers of this good news,
Exorcised by their own brothers
Who were also slaves—
Far from the ships sailing the Atlantic—
But slaves to the deception that had been sowed in their hearts.
Curse that sea!
Why should I be baptized in the sea
Where our fathers were thrown off like luggage—
Like?
They were luggage,
And at their owner’s discretion, they were disposed.
Curse that sea!
Why should I wash myself anew in the sea
Where our mothers’ bodies transfigured into wild game
To be devoured by men with skin as bland as their hearts?

�No! No! No! No! No! No! No! No! NO!
BLESS THAT SEA!
The Atlantic where our fathers and mothers
Committed their spirits
Maybe we should be washed in this sacred sea,
sanctified in their blood that remained in their veins as they drowned,
In their cries for mercy below worn-out decks,
In their plea for freedom at the hands of death
Granted by the endless depth of the sea.

Bio
Daniel Djembe is from Lagos, Nigeria. Mr. Adejombo is a junior, double majoring in
Economics and Philosophy with the hopes of making it into law school when
he graduates. His non- academic interests are mostly musical; he enjoy playing guitar and
piano, and listening to jazz, blues, rock, reggae, soul, neo-classical compositions, and of
course Nigerian popular music.

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&#13;
Crucifixion on the Atlantic&#13;
&#13;
The year I turned fifteen,&#13;
The carpet of our house finally fell to my father’s foot.&#13;
Every night he stomped the floor in effervescent worship,&#13;
While his palms struck themselves and occasionally,&#13;
My sister’s cheeks when the hymn wasn’t draining her lungs&#13;
Of every sound her tiny vocal tracts could produce,&#13;
To praise the man our ancestors were told&#13;
Died and lived that we may be free&#13;
From our devil, black devil, dark-skinned devil—&#13;
&#13;
Soon the devils were fettered to the boats&#13;
That had brought the messengers of this good news,&#13;
Exorcised by their own brothers&#13;
Who were also slaves—&#13;
Far from the ships sailing the Atlantic—&#13;
But slaves to the deception that had been sowed in their hearts.&#13;
&#13;
Curse that sea!&#13;
Why should I be baptized in the sea&#13;
Where our fathers were thrown off like luggage—&#13;
Like?&#13;
They were luggage,&#13;
And at their owner’s discretion, they were disposed.&#13;
&#13;
Curse that sea!&#13;
Why should I wash myself anew in the sea&#13;
Where our mothers’ bodies transfigured into wild game&#13;
To be devoured by men with skin as bland as their hearts?&#13;
No! No! No! No! No! No! No! No! NO!&#13;
BLESS THAT SEA!&#13;
The Atlantic where our fathers and mothers&#13;
Committed their spirits&#13;
Maybe we should be washed in this sacred sea,&#13;
sanctified in their blood that remained in their veins as they drowned,&#13;
In their cries for mercy below worn-out decks,&#13;
In their plea for freedom at the hands of death&#13;
Granted by the endless depth of the sea.&#13;
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                    <text>The College Body
I feel it
I feel it tearing through the barrier
An unmatchable thick barrier of blue radiation and trembling lines
I feel the indigo light burning my skin slowly
My eyes waning down through tinted words
Each telling one more useless fact
One more temporary tibbid of information

I feel it
My eyes redden with a slick coat of inconsistent sleep and bruising daydreams
Feelings of an omniscient trust reside in multiple page forums
A search for questions that can only be answered by strangers
A funny scenario for someone like me, the one who is asking, also a stranger

I feel it
My hands quiver to the tics of an analog clock
An ocean of anxiety sailed by a small boat of determination
11:59 pm is lurking just a minute before the fairy man arrives
My veins have built large, fortified vessels
Surfacing waves of 99-cent energy drinks

I feel it
My stomach is a churning mess
I am full of food contortioned by air
My body cries for a drop of rain
For rain brings lazy days and rest
Nourishment of freshwater crawling back to my semester’s old skin

I feel it
When I stand
The space of a million years
Two million static TVs
Three million stars
And four million eighty-two pins in my back
Stabbing, drawing up pains I thought I could not feel

�I feel it
A feeling of try-hard despair
Vampire schedules pulling me low
Teaspoons of smiles fall into my daily drinks
Many deriving from the future and many deriving from the past
Never the present

I feel it
When I stand
When I sit
When I think
When I do finally breathe
It is a temporary low for a simple signatured paper
A low that can hopefully be scrubbed clean by becoming a distant memory
A low that has shaped and sculpted
Arose and depleted
Carried and fell
A college body full of ostensible knowledge
A college body that can feel
I feel it

I feel it.
Bio
Charisma is twenty years old and from Gulfport, MS. She moved up to Mississippi State to
study in psychology and biology and wants to use this to go into genetic counseling. On the
side, she enjoys digital art, painting, and most of all writing. She has also published a kid's
book, and working on publishing a novel soon! She would like to thank Mississippi State
University for giving this opportunity because it pushed her out of her comfort zone into
something new, poetry.

�</text>
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&#13;
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&#13;
The College Body&#13;
&#13;
I feel it&#13;
I feel it tearing through the barrier&#13;
An unmatchable thick barrier of blue radiation and trembling lines&#13;
I feel the indigo light burning my skin slowly&#13;
My eyes waning down through tinted words&#13;
Each telling one more useless fact&#13;
One more temporary tibbid of information&#13;
&#13;
&#13;
&#13;
I feel it&#13;
My eyes redden with a slick coat of inconsistent sleep and bruising daydreams&#13;
Feelings of an omniscient trust reside in multiple page forums&#13;
A search for questions that can only be answered by strangers&#13;
A funny scenario for someone like me, the one who is asking, also a stranger&#13;
&#13;
&#13;
&#13;
I feel it&#13;
My hands quiver to the tics of an analog clock&#13;
An ocean of anxiety sailed by a small boat of determination&#13;
11:59 pm is lurking just a minute before the fairy man arrives&#13;
My veins have built large, fortified vessels&#13;
Surfacing waves of 99-cent energy drinks&#13;
&#13;
&#13;
&#13;
I feel it&#13;
My stomach is a churning mess&#13;
I am full of food contortioned by air&#13;
My body cries for a drop of rain&#13;
For rain brings lazy days and rest&#13;
Nourishment of freshwater crawling back to my semester’s old skin&#13;
&#13;
&#13;
&#13;
I feel it&#13;
When I stand&#13;
The space of a million years&#13;
Two million static TVs&#13;
Three million stars&#13;
And four million eighty-two pins in my back&#13;
Stabbing, drawing up pains I thought I could not feel&#13;
&#13;
I feel it&#13;
A feeling of try-hard despair&#13;
Vampire schedules pulling me low&#13;
Teaspoons of smiles fall into my daily drinks&#13;
Many deriving from the future and many deriving from the past&#13;
Never the present&#13;
&#13;
&#13;
&#13;
I feel it&#13;
When I stand&#13;
When I sit&#13;
When I think&#13;
When I do finally breathe&#13;
It is a temporary low for a simple signatured paper&#13;
A low that can hopefully be scrubbed clean by becoming a distant memory&#13;
A low that has shaped and sculpted&#13;
Arose and depleted&#13;
Carried and fell&#13;
A college body full of ostensible knowledge&#13;
A college body that can feel&#13;
I feel it&#13;
&#13;
&#13;
I feel it.&#13;
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                    <text>Amari Cooper
To My Friend
I know you do not think and
maybe it is because you do not know, but
I am aware that I was the one who stirred tide and
that it was me who let it manifest into wave. And that when
it came crashing it found the space between us and
forming an ocean. It was me who cause the wave and

settled there
poked

at the water and watched as it rippled along the horizon.
However, I was not the one who found the gulf or stood
right on its shore. I did not allow its coolness to lick my feet or
taste the dirt and dust that settled in between my toes, or let it carry
the path we walked away. Yes, I caused the wave because I poked the
water with a stick and when it settled and formed an ocean between us, I did
not attempt to cross it. I did not gather my wood and make a boat to try to find
my way back to you. However, I did stand along the waterfront right before the water
could eat the sand on my toes. I did try calling out to you only to find that you were looking the other way.

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&#13;
To My Friend&#13;
&#13;
I know you do not think and&#13;
maybe it is because you do not know, but&#13;
I am aware that I was the one who stirred tide and&#13;
that it was me who let it manifest into wave. And that when&#13;
it came crashing it found the space between us and settled there&#13;
forming an ocean. It was me who cause the wave and poked&#13;
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right on its shore. I did not allow its coolness to lick my feet or&#13;
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the path we walked away. Yes, I caused the wave because I poked the&#13;
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not attempt to cross it. I did not gather my wood and make a boat to try to find&#13;
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