Mother Land
Dublin Core
Title
Description
A poem by Haylee Morman
Creator
Date Available
2023
Subject
Months--Poetry
Poetry
Poetry
Language
en-US
Type
text
Format
Identifier
Morman_Mother Land.jpg
Morman_Mother Land.pdf
Morman_Mother Land.pdf
Is Part Of
Source
Rights
Copyright protected by Haylee Morman. Use of materials from this collection beyond the exceptions provided for in the Fair Use and Educational Use clauses of the U.S. Copyright Law may violate federal law. Permission to publish or reproduce is required.
Publisher
Scripto
Transcription
Note on transcription: This transcription may not reflect the poetic form established by the poet. Please refer to the PDF file of this poem available in the Files section for proper formatting.
Mother Land
Kentucky is a strange Mother.
She is cold, gray, jagged with natural
rock walls the gods would envy. She is frigid,
blistering, all heat, all ice. She has skipping stone freckles
from her days under the smiling summer sun,
swimming in murky brown ponds and crystalline
creeks. She has hummingbirds in her broken soil palms
and dirt in her hair, on her face, under
her bare feet. There are ashen pits carved
into her fingers, where her nails of coal
were cut out of her loving body. She is plump
in the summer months, ripe with undulating curves
but is gaunt come winter, all wire smoldering
under sagging fabric flesh. She has pleated waves
of strawberry vine hair, ever-so-delicately kissed by the sun.
Her eyes are shards of stained glass
cemented together into a haphazard kaleidoscope
of greens and blues and browns. She is natural.
She is industrial. She is brazen and stoic
and a hippie and a hillbilly and a politician.
She is everything and nothing, the sun
around which we rotate and the lone asteroid
swirling in the rivers of ice found on the fringes
of our galaxy. She is loved and hated
and feared and celebrated. She birthed me
through her own children’s bodies, nourished me
with her honeysuckle kisses, and kept watch over me from
the unflowered tulip poplars. And one day, hopefully
far from now, I will repay my debt to her,
returning the body I loaned so she may birth her next child.
Mother Land
Kentucky is a strange Mother.
She is cold, gray, jagged with natural
rock walls the gods would envy. She is frigid,
blistering, all heat, all ice. She has skipping stone freckles
from her days under the smiling summer sun,
swimming in murky brown ponds and crystalline
creeks. She has hummingbirds in her broken soil palms
and dirt in her hair, on her face, under
her bare feet. There are ashen pits carved
into her fingers, where her nails of coal
were cut out of her loving body. She is plump
in the summer months, ripe with undulating curves
but is gaunt come winter, all wire smoldering
under sagging fabric flesh. She has pleated waves
of strawberry vine hair, ever-so-delicately kissed by the sun.
Her eyes are shards of stained glass
cemented together into a haphazard kaleidoscope
of greens and blues and browns. She is natural.
She is industrial. She is brazen and stoic
and a hippie and a hillbilly and a politician.
She is everything and nothing, the sun
around which we rotate and the lone asteroid
swirling in the rivers of ice found on the fringes
of our galaxy. She is loved and hated
and feared and celebrated. She birthed me
through her own children’s bodies, nourished me
with her honeysuckle kisses, and kept watch over me from
the unflowered tulip poplars. And one day, hopefully
far from now, I will repay my debt to her,
returning the body I loaned so she may birth her next child.
Files
Collection
Citation
Haylee Morman, “Mother Land,” Mississippi State University Libraries, accessed October 30, 2024, https://msstate-exhibits.libraryhost.com/items/show/2285.
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