Lurking Beneath the Water
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209 KB
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Identifier
midjourneyseascaperesult2
Source
Rights
Copyright © 2024 Gabrielle Dunn, all rights reserved. I used the Midjourney's AI tool in the creation of this work, which was made as part of a class assignment. I own the copyright in the portions of the work derived from my own artwork and creative input. I am permitting this work to be displayed in this online exhibit only; it is not to be reused otherwise without prior permission.
Date Created
March 7, 2024
Rights Holder
Gabrielle Dunn
Scripto
Transcription
BEQ:
This work is the result of an AI information and usage workshop in the Mitchell Memorial Library basement lab participated in on March 7th 2024 with Ardith Goodwin. AI usage has become more prevalent in the arts--we discussed where AI fits into copyright law with Megan Bean and then Ardith gave a talk and walkthrough on how to use Midjourney in one's artistic practice using one's own work.
I used prior work of mine to feed into the algorithm which resulted in blended imagery of my artistic style. My knowledge of fair use in copyright as well as how other nations handle public domain came in handy for my understanding of the topic. I have also seen many, many ai-generated images in community-based art organizations.
I learned how to work with ai and how it fits into copyright law at the moment in order to help prepare myself for a future that will only likely become more and more integrated with this kind of technology--a hard thing for a young artist to contend with.
I have had an interest in this field for a while as an artist. There is well-founded concern that ai is stealing from and will replace artists, or at minimum make things even harder for them to find work. The fact that Ardith Goodwin uses this technology to her advantage as an artist helped to provide a more well-rounded and less fearful take on ai and what it means for the future of art.
This work is the result of an AI information and usage workshop in the Mitchell Memorial Library basement lab participated in on March 7th 2024 with Ardith Goodwin. AI usage has become more prevalent in the arts--we discussed where AI fits into copyright law with Megan Bean and then Ardith gave a talk and walkthrough on how to use Midjourney in one's artistic practice using one's own work.
I used prior work of mine to feed into the algorithm which resulted in blended imagery of my artistic style. My knowledge of fair use in copyright as well as how other nations handle public domain came in handy for my understanding of the topic. I have also seen many, many ai-generated images in community-based art organizations.
I learned how to work with ai and how it fits into copyright law at the moment in order to help prepare myself for a future that will only likely become more and more integrated with this kind of technology--a hard thing for a young artist to contend with.
I have had an interest in this field for a while as an artist. There is well-founded concern that ai is stealing from and will replace artists, or at minimum make things even harder for them to find work. The fact that Ardith Goodwin uses this technology to her advantage as an artist helped to provide a more well-rounded and less fearful take on ai and what it means for the future of art.
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2048x1360 px
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Citation
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, “Lurking Beneath the Water,” Mississippi State University Libraries, accessed August 28, 2026, https://msstate-exhibits.libraryhost.com/items/show/2628.
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