Derry Girls Season 1 Episode 6-Annie Kirkpatrick
Derry Girls first premiered on the Channel 4 network in Ireland and was an instant success. Its popularity continued to grow when its availability on Netflix the following December allowed people across the globe to enjoy the show's eccentric characters and unconventional presentation of the Troubles.
Derry Girls follows Erin Quinn, a lovable but self-absorbed teenager, her quirky cousin, Orla, friends Clare and Michelle, and Michelle’s cousin, James, an Englishman forced to attend an all-girls Catholic school out of concern for his safety. For three seasons, this unlikely group of friends navigates the universal challenges of adolescence but are backdropped by the unique blend of violence and neon fashion that characterized the late nineties in Northern Ireland.
Lisa McGee is the creator and sole writer behind Derry Girls, which she says is largely an autobiographical series. McGee was raised in Bogside, a Catholic neighborhood in Derry, Northern Ireland where, in 1969, a violent conflict between British soldiers and local Irish nationalists led to the slaughter of over a dozen men, women, and children in what is now called Bloody Sunday.
Though this massacre and the many others like it characterized Northern Ireland well into the nineties, McGee does not remember her childhood purely as a sob story. In an interview for The New Yorker, she laughs about the quirks of growing up in a war zone, the “hijinks and stupid jokes” that for a pre-teen girl were more tangible than the daily tragedies.
With its comedic core and starkly serious moments, Derry Girls is not quite satirical nor sorrowful. The final scene of season 1 episode 6 is a prime example of how the series completely rewrites the cinematic conventions around war.
Click here to view the full scene!
When Orla’s step aerobics performance at the school talent show is mocked, Erin, Clare, Michelle, and James jump onstage and dance with her in solidarity, effectively defending their friend as they jump, laugh, and smile. This uplifting moment is abruptly interrupted by a cut to Erin’s and Orla’s family standing around the television as a news anchor describes a car bombing that occurred just moments before.
In this scene, the high-energy, youthful events of the talent show metaphorically argue that Northern Ireland’s next generation will be the change that the adults wish they could see. Though the supervising Sister Michael (Siobhán McSweeney) is happy to see the fresh performance, she is as glued to her spot in the wings as Orla's and Erin’s family is glued to the violent news cycle. In fact, the only person in the living room who can look away is the baby!
Meanwhile, the Derry girls are basking in the light, laughing, and dancing without a care in the world. This contrast is bittersweet, inspiring in the audience both sympathy for the generation that is plagued by deep wartime anxiety and hope for the members of the youth who are bold enough to leave the violent past behind.
Works Cited
Russell, Anna. “How the Creator of Derry Girls Found Humor in a Troubled Time.” The New Yorker, 2 June 2022, https://www.newyorker.com/culture/persons-of-interest/how-the-creator-of-derry-girls-found-humor-in-a-troubled-time.
“The Derry Girls Talent Show, Final Scene from Season 1.” Youtube, uploaded by Still Watching Netflix, 31 August 2019, https://www.youtube.com/watch?v=B6qVH54WNLY.
“What You Need to Know About the Troubles.” Imperial War Museums, https://www.iwm.org.uk/ history/what-you-need-to-know-about-the-troubles. Accessed 6 Nov 2024